The first feature-length animated film in history, "Snow White" is a testimony to Walt's deep commitment to taking whatever existed and making it better. When he first proposed creating a cartoon that would run for more than just a few minutes, critics and nay-sayers abounded. "It'll blind the audience," said some. "Nobody will watch a cartoon that's so long," said others. They dubbed it Disney's Folly. But Walt persisted, risking the financial future of his studio on the project. And of course the success was complete. "Snow White" premiered on December 21, 1937, and provided a financial bonanza for the Disney organization. It was originally budgeted for $250,000, wound up costing $1.75 million, and brought in about $4.2 million in its first release. Perhaps more important, it proved that animation could be used not just to amuse but to provoke a far wider range of emotions.

This exhilarating triumph was not easily earned. Walt didn't hesitate to cut scenes that had already consumed hundreds of hours of animators' work. Animator Ward Kimball has commented that when Walt cut a particular long, funny sequence of his -- because it got in the way of the story -- "that was one of the early tragedies of my life." Of course, every sequence that made it into the final version was painstakingly scrutinized to make sure that it was artistically superior, well animated, and advanced the story. The scene in which the menacing Huntsman -- seen approaching in dramatic shadow -- threatens to kill Snow White with his dagger is exemplary. Over the course of months, scores of pages of transcripts from story meetings attest to the amount of time and thought that went into its creation. How should the knife look? When should the bird fly away? When should Snow White first become aware of the Huntsman? The result, writes Leonard Maltin in his authoritative book "The Disney Films": "Few people will ever forget the menacing gleam of the Huntsman's knife just before he raises it to kill Snow White. . . ." 

 

Bashful is the shyest of the dwarfs, and is therefore often embarrassed by the presence of any attention directed at him. He frequently annoys Grumpy, though not as much as Doc. In Walt Disney's own words, according to one of the film's original theatrical trailers, Bashful is "secretly in love with Snow White". More than shy, Bashful's a hopeless (make that hopeful) sentimentalist. When the dwarfs return to find their cottage mysteriously tidied up, he's even sentimental about his newly cleaned cup, lamenting that "the sugar's gone" as if he'd lost a dear friend. While everyone's suspicious upon finding Snow White asleep across their beds, Bashful's the first one to see her for who she really is, observing, "She's beautiful, like an angel."

Sleepy sneaks in his Z's anytime and anywhere he can, but none of the other dwarfs ever complains. Maybe that's because he works just as hard in their diamond mine as the others, albeit in a more relaxed fashion. In fact, he's so relaxed, and yawns so widely, that the resident housefly keeps buzzing into his mouth in hopes of finding a nice warm home. But even on the perpetual verge of a nap, Sleepy turns out to be twice as observant as his fellows when it most matters.

Sneezy's name is earned by his extraordinarily powerful sneezes, which are seen blowing objects (including his brothers) across a room. He has the shortest beard of the seven (besides the beardless Dopey). No, Sneezy doesn't sneeze all the time ... just at the worst of times, like when the dwarfs have returned from the diamond mine to search for the mysterious "cleaning monster" in their midst. After a particularly violent sneeze, which sends them tumbling in its wake, he protests,"I couldn't help it ... when you gotta go, you gotta ... I-I-I, i-i-i-it's comin'." So his pals quickly jump him and tie his nose in a knot. Instead of getting angry, poor Sneezy's grateful.

Dopey is the only dwarf to have no beard at all; he is presumably the youngest of the seven. As his name suggests, Dopey is clumsy. His clumsiness provides comic relief to some of the plot. He is a mute, or at any rate never speaks and does not know whether he can. His job at the mine is to clean up all the unusable jewels and lock up the vault. He is always seen last in line whenever the dwarfs walk to and from work. Although he is scared at times, he can also be very brave, especially when Snow White is in danger.

If the Seven Dwarfs have a leader, it has to be Doc (though he's far too good-natured to ever make it official). When there's an important decision to be made, Doc is usually the one to make it. After returning to the cottage to find it mysteriously tidied up, he nervously demands: "Search every cook an' nanny, uh, hook an' granny, uh, crooked fan -- uh, search everywhere." Doc's mind often works faster than his mouth when he's excited, but his judgment's always sound.

Grumpy is as his name suggests him to be. He has the biggest nose of the seven and he automatically disapproves of Snow White for the mere fact that she is a woman. However, though initially too proud to show it, deep down he cares perhaps the most for her safety. He repeatedly warns her of the threat posed by the Queen and rushes to Snow White's aid upon realizing that she is in danger, leading the charge himself.

Without Happy around, Grumpy might not be quite as grumpy. For Happy's just too infernally cheerful about everything. When the dwarfs think there's a monster hidden under the blankets, Happy cheerily asks, "Which end do we kill?" And when the "monster" turns out to be a slumbering Snow White, Happy's even happier. But not even he can find any joy in his life after Snow White's bitten into the Witch's apple and fallen into a sleeping death. With any luck he'll get to live up to his name again someday ...